22 January 2015


Hope I am back to doing some regular posting here at Necrotic Cinema [NOTE: This originally appeared long ago in my now defunct Necrotic Cinema blog. Resposted here to preserve the material]. Have figured out a method to keep the post updated using proxies and hopefully it will continue to work until Blogger is unblocked again here in China. I have a lot of material to draw on and lets hope and pray that my little method continues to work, as things can change. I had no problem with deciding which of many horror films to write about with this return to Necrotic Cinema. I was simply taken back by the R-rated, independent horror film Dead Girl. I am so tired of PG-13 horror and lost my passion for locating Sam Rami’s new return to horror movie Drag Me to Hell when I read it was PG-13. Of course I will see the film, I simply wanted something that would knock my socks off and usually PG-13 just cannot do that. Deadgirl did. Now I am not saying that this is some super great film. It is fine indie horror film with a cast of essentially unknown faces. I read some reviews that over analyze the film and call it a “sub-standard horror film”. Look the film is basically a horror film about necrophilia and you can criticize how effectively the filmmakers explored their characters motivations and reactions to what they do but in the end it is a film about raping, if not a corpse, a zombie of some sorts. There is gore, action and loads of teenage angst. So if you want to set back and over analyze the film’s intentions and symbolism you may find it wanting. If, on the other hand, you just want to see a couple of screwed up geek boy misfits, and even a couple jocks, have sex with a putrid zombie and get wants coming to them in the end then I can highly recommend this film from directors Marcel Sarmiento and Gadi Harel and writer Trent Haaga. From I read the movie was not even shot or edited on film but rather employed the same digital technique David Fincher used on Zodiac. I had my doubts about the new digital movie making processes when I read about them a couple years ago but the movie looks like it was shot on real film.
The film on one level is a black comedy coming of age film. If coming of age is to be interpreted as having sex for the first time and leaving the innocence of childhood behind then Deadgirl could be seen a sick spoof of the Porkys, American Pie and Fast Times at Ridgemont High type films that seemed to send the message that all American teenage boys are so horny and pent up that they do anything for sex and especially to lose their virginity and become ‘real men’ finally. The two lead characters Rickie and J.T. (Shiloh Ferdandez and Noah Segan) play the brooding high school outsiders who have given hope of having a really great girlfriend since those types of girls (like good girl JoAnn played by Candice Accola) only date the popular jock types. J.T. admonishes Rickie’s lingering stares at JoAnn, a girl he has loved since she kissed him when he was five years old. Look, say what you want, the guy may harbor dreams of true love with a good girl but he is a little creepy and disillusioned as he gazes longlingly at JoAnn. J.T. is a little more grounded in reality when he reminds Rickie he has a snowball’s chance in Hell if having anything to do with JoAnn. To relieve the tension of their anguished teenage lives the lads decided to go chug some brewskies at an abandoned insane asylum and break a bunch of things. The boys go down into the basement area and are chased by a guard dog that lives in the basement (this would imply some human tends to the dog food needs and most likely occasionally patrols the area as well but this never seems to the case). The chase leads them to a locked door that they see as a possible way out but instead it leads to a dark room that contains what appears to be a dead girl wrapped in plastic. They inspect the strapped down girl (Jenny Spain) closer and find that she is not dead at all. Legitimate criticism could be made here regarding the boy’s decisions and Rickie’s blind loyalty to an asshole like J.T. who even punched Rickie in the face real good in order to prove whose opinion is right. We never find out who the girl is or why she is strapped or why she was left here when all other important supplies were removed when the asylum was closed down. Suspension of disbelief is required and we must accept a few loop holes in order for the story to move along and get to the necrophilia and mayhem we know is coming.

Rickie returns the next day with a gun toting J.T. who has discovered that the girl is not only not alive but cannot be killed off in her current state. To prove this he pumps a few slugs into her in front of a shocked Rickie. J.T. also used the girl as a punching bag. The next logical step after finding out you have a bound up zombie chick who cannot be killed and who is probably smelling ripe is what? Report it to the cops or a responsible adult? No, you have sex with her. J.T. is soon doing the dead girl and Rickie refuses to participate, earning J.T.’s scorn. After all, what would JoAnn thInk if she knew he was banging a corpse in the basemen of the deserted asylum. Soon another geeky stoner named Wheeler (Eric Podnar) is humping the pathetic dead girl (at $10 a pop going to J.T.). Rickie’s plans to free the girl with bolt cutters is put on hold and he simply is overwhelmed by all that is going on. In a later attempt he manages to cut one iron bracelet with the bolt cutters, with the girl showing kindness by caressing his finger slightly, but is interrupted by J.T. and hides. Later J.T. gets his face clawed by an angry dead girl who obviously has no kind feelings towards her captor and tormentor.

Ricthie is seen gawking secretly over JoAnn in the library by her jocko boyfriend Johnny (Andrew DiPalma) and his sidekick Dwyer (Nolan Gerard Funk) and they meet him and Wheeler and in parking lot and beat the hell out of them both. Dumb ass Wheeler can’t keep his mouth shut and tells the jocks they don’t a girl like JoAnn because they have the pussy (his words not mine) they could ever want. I guess this intrigues the jocks and soon they in the basement looking on the dead girl in amazed disgust as a pimpish looking J.T. eggs them on with challenges and dares. Soon Rickie is pushing the jocks on, betting they have never even had a blowjob before. Well after Dwyer decides to have some of the necro-action Johnny is getting his first ever hummer and his first ever ‘gnawjob’ as the dead girl takes a bite out his manhood. Rickie had a change of heart as he realized the impending danger, but it was a little too late I fear.

The next day in class Johnny ain’t looking or feeling to good and go to the john were he has the worst bowel movement of his short life and spills his guts (literally) in the can. J.T. is actually getting sort of disgusted with the oozing dead girl and devises some plan to create a new zombie lover. He and Wheeler foil their first attempt at kidnapping a female when she beats both their asses. As luck would have it though JoAnn shows up wanting an explanation for what happened to Johnny and soon she is tied up to a pole with the dead girl. A final confrontation in the basement leaves Wheeler with a hand or entrails and J.T. with a bitten face wanting to die rather than become like his victim. The dead girl shows Rickie mercy and escapes but JoAnn is infected from a wound received by the dead girl. There is a is a happy ending to all this when at the end a cheery looking Rickie returns to the basement to tend to a strapped up, and ‘dead’, JoAnn. We can only assume his intentions are honorable. There never seems to be any police investigation into the disappearance of all these high school kids but we can figure that happens later off camera. I am actually glad they did not write in any cop characters even though it would have added some reality to the story. The sex and violence is fairly graphic and is at times gratuitous and exploitative. That’s does not bother me but it might some people. And despite some flaws in the storyline (flaws any horror movie is going to have really) I found it to be a good horror film and hope the open ending here spawns a well done sequel though the film would be perfect if left alone as is.


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