1966/Director: Curtis Harrington/Writer: Curtis Harrington
Cast: John Saxon, Basil Rathbone, Judi Meredith, Dennis Hopper, Florence Marly, Robert Boon, Don Eitner, Forrest J Ackerman
ALSO KNOWN AS: Flight to a Far Planet, Planet of Blood, Planet of Terror, Planet of Vampires, Space Vampire,The Green Woman
At first I was a little disappointed when I read that some of the stylistic and stunning space scenes from Curtis Harrington’s 1966 Queen of Blood were taken from a couple Russian sci-fi periods from a couple years earlier, one being Meshte Nastreshu (1963) and the other Nebo Zovyot (1960). I have never seen either film and understand they are pretty hard to locate online, though Nebo Zovyot was released in some sort of edited fashion by producer Roger Corman and then fledgling director Francis Ford Coppola. But I cannot find that version of the film either. Harrington as well was working for Corman as an upcoming director and writer when Queen of Blood was released and the copy/paste type technique of filmmaking, “borrowing” scenes from obscure, foreign films, was a common practice for films produced by Corman at AIP at the time. Other filmmakers, some mentioned here at the Café like Al Adamson, also used this technique in patching together film projects. Adamson often pieced together fragments and sections of his own films made over a period of years but sometimes, as with Horror of the Blood Monsters, did something similar as was done by Harrington and Corman with Queen Blood, and used footage from an unknown Filipino film. The difference is that Horror of the Blood Monsters looks like crap basically and Queen of Blood appears almost seamless in the way the films merge together. I admit that while watching it, before reading any reviews which is how I usually watch films and avoid sites like my own brimming over with spoilers, I noticed a few odd moments but never thought I was seeing more than one film. I think the film looks marvelous really and the sets have that stylized science fiction look and feel of the sci-fi pulp paperback covers of the period.
Somehow Farraday concludes that the aliens must have abandoned their mother ship on a rescue ship and that the ship is somewhere on the surface of Mars. This is just the excuse Allen Brenner and pal Tony Barrata (Don Eitner) have been waiting for and they convince Farraday to allow them to go on a rescue mission that will take them to Phobos, one of Mars’ moons, and from there they will go to the Planet in a small rescue craft whose fuel will be conserved because of the gravity on Phobos or something. This is all explained in long winded and overly complicated classic sci-fi lingo and even a blackboard drawing that is priceless.
Laura and Allen find her feeding on his dead body and in a brief conflict the alien receives some scratches on her shoulder which prove to be fatal for her as she bleeds to death. Secreting green blood all over the space ship floor. The films concludes with Laura and Allen finding batches of disgusting, pulsating eggs all over the ship but there is no time to destroy them as eager an excited Farraday comes aboard to gather the eggs and alien body and take them all back to earth, where we can only guess what will happen next.